Country Fried gathers Kensey Kendall’s muslin drawings into a tender, rigorous meditation on the ethics—and the impossibility—of keeping. Born in 2002 in Michigan’s Northwoods and now working from Chicago, Kendall approaches image-making as a form of custodianship: a practice that does not simply preserve the past, but re-animates it, submits it to touch, and asks what it means to live alongside what is already gone.